Emo’s Obsession With Car Crashes

Emo music is full of references to car crashes. When you’ve listened to enough of this type of music or watched enough music videos for emo songs, it can become apparent how recurrent this theme is in the genre, similar to the theme of ‘getting out of this small town’, ambulances, or hospitals. Examples of…

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A Slice of British Anxiety: Mike Leigh and His Eccentric Characters

I recently watched Mike Leigh’s 1971 film Bleak Moments – his directorial debut. And while watching it, I again felt something about Leigh’s characters (or at least some of them), which I’ve felt watching some of his other films: they have a caricature-esque level of eccentricity. Others have drawn attention to this too, such as…

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Deathcore and ‘Torture Porn’ Horror Films: Parallel Expressions of the 2000s Zeitgeist

From around 2006 to 2008, in my ‘scene kid’ phase, I was listening to a lot of deathcore – a genre combining death metal with metalcore – as a lot of scene kids were. We wanted to hear breakdowns, guttural vocals, and pig squeals (vocals that go “breeeee”). It was part of the cultural zeitgeist.…

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Master of Disgust: Inside the Body Horror Films of Brian Yuzna

If Alfred Hitchcock is the ‘master of suspense’, then I think we can call filmmaker Brian Yuzna the ‘master of disgust’ (or at least, one of the masters in this subtype of horror). Born in 1949, the American director and producer is best known for his work in the science fiction and horror genres, most…

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The Letterboxd Effect: Cinephilia in the Age of Gamification

Since I started using Letterboxd (four years ago), an unconscious tendency I developed when watching films is that, throughout the film, I’ll think about what Letterboxd rating I’m going to give it. If the start of the film starts really well and feels unique and perfectly attuned to my sensibilities, then I might think, This…

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