Asemic Writing in Shaun Tan’s Graphic Novel ‘The Arrival’

The Arrival (2006) by Shaun Tan is a wordless graphic novel (which can be read here) that tells the story of an immigrant’s life in an imaginary world. It consists of small, medium, and large panels – as well as pages of full artwork – depicting a world that sometimes resembles our own but which…

View Post

Can an Intentionally Bad Movie Achieve ‘So Bad It’s Good’ Status?

In my previous post on what defines a ‘so bad it’s good’ movie, one essential feature I looked at was a movie intending to be good but unintentionally becoming bad – and bad to such a degree that it becomes aesthetically valuable. Because of incompetence and/or limited budget, the film can take on characteristics –…

View Post

What Makes a Movie ‘So Bad It’s Good’?

In my book review of Why It’s OK to Love Bad Movies by philosopher Matthew Strohl, I outlined some of the features of ‘so bad they’re good’ movies and what distinguishes them from movies that are just bad. However, I think a point that wasn’t stressed enough in that review was how it is often…

View Post

Jacob’s Ladder (Adrian Lyne, 1990): A Meditation on Making Peace With Death

Jacob’s Ladder (1990) – directed by Adrian Lyne and written by Bruce Joel Rubin – is, in my opinion, one of the greatest psychological horror films ever made. It is a multilayered film that draws on many spiritual and religious influences and themes. Rubin, the screenwriter, is also a meditation teacher and has a long-standing…

View Post

The Aesthetics of Narcissism and Failure in Bad Movies

Part of what makes bad movies (here I mean ‘so bad it’s good’ movies) appealing is the sincerity with which they are created. The directors sincerely believe that their choices, and the resulting film, are good, in a conventional sense, and artistically serious. We can contrast this intention and belief with the perspective of the…

View Post