Home Sweet Home (1982), a television film directed by Mike Leigh, part of the BBC’s Play for Today series, is one of Leigh’s bleakest films. In it, the last of his contributions to this series, Leigh portrays the lives and dysfunctional relationships of three postal workers living on a housing estate in Hitchin, Hertfordshire. I’d…
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I’m a big fan of horror, as well as the subgenre of ‘psychedelic horror’, in which the psychedelic experience or ‘psychedelic’ aesthetic is used to unsettle and terrify viewers. I’m also interested in the future of psychedelic horror: What aspects of the psychedelic experience, or what trippy effects, could be realised on screen that have…
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I recently rewatched Arrival (2016, Denis Villeneuve), adapted from Ted Chiang’s novella Story of Your Life, having first watched it five years ago. My experience, based on what I can remember, was different this time around. There were some elements I understood and appreciated more, whereas others somewhat stood out as weak points. On second…
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Emo music is full of references to car crashes. When you’ve listened to enough of this type of music or watched enough music videos for emo songs, it can become apparent how recurrent this theme is in the genre, similar to the theme of ‘getting out of this small town’, ambulances, or hospitals. Examples of…
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I recently watched Mike Leigh’s 1971 film Bleak Moments – his directorial debut. And while watching it, I again felt something about Leigh’s characters (or at least some of them), which I’ve felt watching some of his other films: they have a caricature-esque level of eccentricity. Others have drawn attention to this too, such as…
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