Master of Disgust: Inside the Body Horror Films of Brian Yuzna

If Alfred Hitchcock is the ‘master of suspense’, then I think we can call filmmaker Brian Yuzna the ‘master of disgust’ (or at least, one of the masters in this subtype of horror). Born in 1949, the American director and producer is best known for his work in the science fiction and horror genres, most…

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The Influence of Letterboxd on the Film-Watching Experience

Since I started using Letterboxd (four years ago), an unconscious tendency I developed when watching films is that, throughout the film, I’ll think about what Letterboxd rating I’m going to give it. If the start of the film starts really well and feels unique and perfectly attuned to my sensibilities, then I might think, This…

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Algorithmic Visions: Weighing the Benefits and Costs of Psychedelic AI Art

Psychedelic AI art is everywhere – or at least, I’m seeing it everywhere (because many accounts/people I follow on social media are focused on psychedelics). I see psychedelicised AI art used as images for social media posts, blog posts, event listings, websites, and podcasts – in all kinds of online content, really. I mentioned one…

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The Horror of Eternal Isolation: Apeirophobia in Kiyoshi Kurosawa’s ‘Pulse’ (2001)

Pulse (Kairo) is a 2001 Japanese techno-horror film directed by Kiyoshi Kurosawa. After having watched Kurosawa’s 1997 psychological thriller Cure (Kyua), widely regarded as a masterpiece, I was keen to check out more of his work. (Cure was inspired by David Fincher’s crime film Se7en; it likewise follows a series of gruesome murders and detectives…

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Hamptonese: The Asemic Writing of James Hampton

James Hampton (1909–1964) was an American outsider artist. He worked as a janitor, and in his spare time, in secrecy, he built a large assemblage of religious art, made from scavenged materials: cardboard, plastic, glue, pins, tape, old furniture, jelly jars, aluminum and gold foil, shards of mirror, desk blotters held together with tacks, and…

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