Book Review: Glyphs of Uncertain Meaning by Tim Gaze

Tim Gaze is an Australian artist residing in the Adelaide Hills. Since the late 90s, he has been an active poet, writer, publisher, and performer. He is also notable as an artist specialising in asemic writing (expressive mark-making that has the appearance of a language). In 1997, Gaze, along with fellow artist Jim Leftwich, applied…

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DMT-Inspired Artwork by Harry Pack

Harry Pack is a British artist whose artwork is inspired by experiences with the potent psychedelic DMT. Along with INCEDIGRIS, Pack is unique in his ability to accurately represent the strange realms and beings that one encounters when under the influence of this substance. The distinctly DMT-esque aspects of his work include the clownish, child-like,…

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The Paradox of Asemic Writing

In my first post on asemic writing, I ended by pointing to the paradoxical nature of this art form: the marks involved are at once meaningless (since they have no semantic meaning) and meaningful (since, as an art form, there can be meaning behind their creation – the intention, emotion, or state of mind expressed…

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Pseudographia: Automatic Asemic Writing

Pseudographia is the term I use to refer to either the practice of automatic asemic writing, that is, wordless, artistic writing created in an unconscious way, or the unconscious drive to engage in such writing. I have recently been revisiting the work of the Belgian poet and artist Henri Michaux, as I feel his asemic…

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Infinite Cityscapes: Hyper-Detailed Architectural Drawings by Benjamin Sack

Benjamin Sack is an American artist who is noted for creating hyper-detailed drawings of cityscapes that mingle realism with abstraction. He depicts infinite cities, architectural labyrinths of dizzying detail. When I first came across his work, I was incredibly impressed (mindblown, to be honest) to see how he represented both the infinite and the infinitesimal…

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