Mandalas are intricate designs and symbols that are drawn in geometric forms (mandala is Sanskrit for “circle”). They originated in India, and are pervasive in Buddhist culture – particularly Tibetan Buddhism – as a way to represent the universe, deities, or certain realms. They are a form of spiritual artwork used across the world as…
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In my first post on asemic writing, I briefly touched on the origins of this art form, noting that the artists Tim Gaze and Jim Leftwich applied the term asemic to their quasi-calligraphic works in 1997. (See my review of Gaze’s latest book, Glyphs of Uncertain Meaning, which also includes some more information about the…
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In one of Meshuggah’s most well-known tracks, New Millennium Cyanide Christ, we find an exploration of the themes of transhumanism and cults. Drummer Tomas Haake, who writes the lyrics for the band, said of the track in an interview with Greg Prato: That’s more of a dystopian take on a sectistic or extremist kind of…
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Christine Murray, editor-in-chief of The Developer, a publication about making cities worth living in, wrote a piece for Dezeen on why architects must “choose ethics over aesthetics”. It is a provocative article, and one of the most thought-provoking points that Murray makes – which I was completely unaware of – is that “construction itself is…
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Tim Gaze is an Australian artist residing in the Adelaide Hills. Since the late 90s, he has been an active poet, writer, publisher, and performer. He is also notable as an artist specialising in asemic writing (expressive mark-making that has the appearance of a language). In 1997, Gaze, along with fellow artist Jim Leftwich, applied…
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