In my previous post on what defines a ‘so bad it’s good’ movie, one essential feature I looked at was a movie intending to be good but unintentionally becoming bad – and bad to such a degree that it becomes aesthetically valuable. Because of incompetence and/or limited budget, the film can take on characteristics –…
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In my book review of Why It’s OK to Love Bad Movies by philosopher Matthew Strohl, I outlined some of the features of ‘so bad they’re good’ movies and what distinguishes them from movies that are just bad. However, I think a point that wasn’t stressed enough in that review was how it is often…
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Jacob’s Ladder (1990) – directed by Adrian Lyne and written by Bruce Joel Rubin – is, in my opinion, one of the greatest psychological horror films ever made. It is a multilayered film that draws on many spiritual and religious influences and themes. Rubin, the screenwriter, is also a meditation teacher and has a long-standing…
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Part of what makes bad movies (here I mean ‘so bad it’s good’ movies) appealing is the sincerity with which they are created. The directors sincerely believe that their choices, and the resulting film, are good, in a conventional sense, and artistically serious. We can contrast this intention and belief with the perspective of the…
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The uniqueness of asemic writing is its ability to give specific impressions – to transmit meanings, concepts, and abstract notions through word-like characters. Semantically meaningless in essence but suggestive of meaning through its similarity to an actual writing system, these characters become open to a diversity of interpretations and imaginings. And as an art form,…
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