Deathcore and ‘Torture Porn’ Horror Films: Parallel Expressions of the 2000s Zeitgeist

From around 2006 to 2008, in my ‘scene kid’ phase, I was listening to a lot of deathcore – a genre combining death metal with metalcore – as a lot of scene kids were. We wanted to hear breakdowns, guttural vocals, and pig squeals (vocals that go “breeeee”). It was part of the cultural zeitgeist.…

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Master of Disgust: Inside the Body Horror Films of Brian Yuzna

If Alfred Hitchcock is the ‘master of suspense’, then I think we can call filmmaker Brian Yuzna the ‘master of disgust’ (or at least, one of the masters in this subtype of horror). Born in 1949, the American director and producer is best known for his work in the science fiction and horror genres, most…

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The Letterboxd Effect: Cinephilia in the Age of Gamification

Since I started using Letterboxd (four years ago), an unconscious tendency I developed when watching films is that, throughout the film, I’ll think about what Letterboxd rating I’m going to give it. If the start of the film starts really well and feels unique and perfectly attuned to my sensibilities, then I might think, This…

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Algorithmic Visions: Weighing the Benefits and Costs of Psychedelic AI Art

Psychedelic AI art is everywhere – or at least, I’m seeing it everywhere (because many accounts/people I follow on social media are focused on psychedelics). I see psychedelicised AI art used as images for social media posts, blog posts, event listings, websites, and podcasts – in all kinds of online content, really. I mentioned one…

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The Horror of Eternal Isolation: Apeirophobia in Kiyoshi Kurosawa’s ‘Pulse’ (2001)

Pulse (Kairo) is a 2001 Japanese techno-horror film directed by Kiyoshi Kurosawa. After having watched Kurosawa’s 1997 psychological thriller Cure (Kyua), widely regarded as a masterpiece, I was keen to check out more of his work. (Cure was inspired by David Fincher’s crime film Se7en; it likewise follows a series of gruesome murders and detectives…

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