I recently rewatched Arrival (2016, Denis Villeneuve), adapted from Ted Chiang’s novella Story of Your Life, having first watched it five years ago. My experience, based on what I can remember, was different this time around. There were some elements I understood and appreciated more, whereas others somewhat stood out as weak points. On second…
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I recently watched Mike Leigh’s 1971 film Bleak Moments – his directorial debut. And while watching it, I again felt something about Leigh’s characters (or at least some of them), which I’ve felt watching some of his other films: they have a caricature-esque level of eccentricity. Others have drawn attention to this too, such as…
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From around 2006 to 2008, in my ‘scene kid’ phase, I was listening to a lot of deathcore – a genre combining death metal with metalcore – as a lot of scene kids were. We wanted to hear breakdowns, guttural vocals, and pig squeals (vocals that go “breeeee”). It was part of the cultural zeitgeist.…
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Since I started using Letterboxd (four years ago), an unconscious tendency I developed when watching films is that, throughout the film, I’ll think about what Letterboxd rating I’m going to give it. If the start of the film starts really well and feels unique and perfectly attuned to my sensibilities, then I might think, This…
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Aniara (2018) is a Swedish sci-fi film written and directed by Hugo Lilja and Pella Kågerman. It is an adaptation of the 1956 Swedish epic poem of the same name by Harry Martinson. It depicts a dystopian, distant future in which extreme climate change, war, famine, disease, social collapse, pollution, and lawlessness force humans to…
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