Fear of the Void: Cosmic Anxiety in ‘Aniara’ (2018)

Aniara (2018) is a Swedish sci-fi film written and directed by Hugo Lilja and Pella Kågerman. It is an adaptation of the 1956 Swedish epic poem of the same name by Harry Martinson. It depicts a dystopian, distant future in which extreme climate change, war, famine, disease, social collapse, pollution, and lawlessness force humans to…

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The Mind-Altering Films of Peter Tscherkassky

Peter Tscherkassky is an Austrian avante-garde filmmaker. He’s one of the few filmmakers who, through his experimental techniques, can create truly mind-altering cinema. There are certainly many films I’d describe as psychedelic – in terms of depicting trips or because of their cinematography and themes – but Tscherkassky’s experimental short films are different to films…

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The Aesthetics of Despair: Why Are We Drawn to Bleak Films?

It may seem a strange thing to say, but I love bleak films. (Here’s a Letterboxd list of the bleakest films I’ve seen and loved.) On the other hand, it’s not really that strange, given that some of the bleakest films ever made are also considered masterpieces by many, and films full of despair with…

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The Apollonian-Dionysian Dichotomy in John Frankenheimer’s ‘Seconds’ (1966)

Seconds (1966) is a sci-fi psychological thriller directed by John Frankenheimer. In my eyes, it’s a perfectly made film, and I found it to be a fascinating exploration of several existential themes: identity, choice, desire, fantasy, regret, eternal youth, and the wish to start life again. (The philosopher Slavoj Žižek analyses Seconds in his 2006 documentary…

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The Portrayal of ‘Ecstatic Agony’ in Hellraiser (1987) and Martyrs (2008)

I recently rewatched the horror classic Hellraiser (1987), and as well as finding it better on the second watch, I was fascinated with its portrayal of the ‘ecstasy of agony’ or the ‘agony of ecstasy’ (which we could also call ‘ecstatic agony’). I’m currently working on a book on the subject of ecstasy, and despite…

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