Peter Tscherkassky is an Austrian avante-garde filmmaker. He’s one of the few filmmakers who, through his experimental techniques, can create truly mind-altering cinema. There are certainly many films I’d describe as psychedelic – in terms of depicting trips or because of their cinematography and themes – but Tscherkassky’s experimental short films are different to films…
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It may seem a strange thing to say, but I love bleak films. (Here’s a Letterboxd list of the bleakest films I’ve seen and loved.) On the other hand, it’s not really that strange, given that some of the bleakest films ever made are also considered masterpieces by many, and films full of despair with…
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Seconds (1966) is a sci-fi psychological thriller directed by John Frankenheimer. In my eyes, it’s a perfectly made film, and I found it to be a fascinating exploration of several existential themes: identity, choice, desire, fantasy, regret, eternal youth, and the wish to start life again. (The philosopher Slavoj Žižek analyses Seconds in his 2006 documentary…
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I recently rewatched the horror classic Hellraiser (1987), and as well as finding it better on the second watch, I was fascinated with its portrayal of the ‘ecstasy of agony’ or the ‘agony of ecstasy’ (which we could also call ‘ecstatic agony’). I’m currently working on a book on the subject of ecstasy, and despite…
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This is a guest post by Inger Cini. The philosophers Alain Badiou and Slavoj Žižek have provided contrasting perspectives on cinema. In this essay, I would like to comment on the similarities and differences in their thought under three main headings: how to read cinema, ideology in cinema, and the truth in cinema. Whilst Žižek…
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