One common view in the philosophy of self sees the notion of a discrete, concrete self as an illusion. This concept is known as anatta (not-self) in Buddhism, and it was later defended by the Scottish philosopher David Hume (although he didn’t explicitly draw on Buddhism when making his arguments against the reality of self).…
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It may seem intuitive, in evolutionary terms, why we would find natural settings attractive and appealing. The biologist Edward O. Wilson argued that humans possess a trait called biophilia (fondness for nature, or an innate tendency to seek connections and affiliations with nature and other forms of life), which he argued makes sense evolutionarily. It…
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In my previous post on what defines a ‘so bad it’s good’ movie, one essential feature I looked at was a movie intending to be good but unintentionally becoming bad – and bad to such a degree that it becomes aesthetically valuable. Because of incompetence and/or limited budget, the film can take on characteristics –…
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The sublime is a concept in aesthetics that stands for the quality of greatness that leads to experiencing positive and negative emotions (e.g. fear and wonder) at the same time. This paradoxical emotion is often experienced in natural surroundings, during confrontations with natural phenomena that overwhelm oneself due to their size or power. This is…
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In my book review of Why It’s OK to Love Bad Movies by philosopher Matthew Strohl, I outlined some of the features of ‘so bad they’re good’ movies and what distinguishes them from movies that are just bad. However, I think a point that wasn’t stressed enough in that review was how it is often…
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