If Alfred Hitchcock is the ‘master of suspense’, then I think we can call filmmaker Brian Yuzna the ‘master of disgust’ (or at least, one of the masters in this subtype of horror). Born in 1949, the American director and producer is best known for his work in the science fiction and horror genres, most…
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Since I started using Letterboxd (four years ago), an unconscious tendency I developed when watching films is that, throughout the film, I’ll think about what Letterboxd rating I’m going to give it. If the start of the film starts really well and feels unique and perfectly attuned to my sensibilities, then I might think, This…
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In my previous post on what defines a ‘so bad it’s good’ movie, one essential feature I looked at was a movie intending to be good but unintentionally becoming bad – and bad to such a degree that it becomes aesthetically valuable. Because of incompetence and/or limited budget, the film can take on characteristics –…
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In my book review of Why It’s OK to Love Bad Movies by philosopher Matthew Strohl, I outlined some of the features of ‘so bad they’re good’ movies and what distinguishes them from movies that are just bad. However, I think a point that wasn’t stressed enough in that review was how it is often…
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Part of what makes bad movies (here I mean ‘so bad it’s good’ movies) appealing is the sincerity with which they are created. The directors sincerely believe that their choices, and the resulting film, are good, in a conventional sense, and artistically serious. We can contrast this intention and belief with the perspective of the…
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