In my previous post on what defines a ‘so bad it’s good’ movie, one essential feature I looked at was a movie intending to be good but unintentionally becoming bad – and bad to such a degree that it becomes aesthetically valuable. Because of incompetence and/or limited budget, the film can take on characteristics –…
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The sublime is a concept in aesthetics that stands for the quality of greatness that leads to experiencing positive and negative emotions (e.g. fear and wonder) at the same time. This paradoxical emotion is often experienced in natural surroundings, during confrontations with natural phenomena that overwhelm oneself due to their size or power. This is…
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In my book review of Why It’s OK to Love Bad Movies by philosopher Matthew Strohl, I outlined some of the features of ‘so bad they’re good’ movies and what distinguishes them from movies that are just bad. However, I think a point that wasn’t stressed enough in that review was how it is often…
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It’s often assumed, because of the therapeutic potential of psychedelic drugs, that tripping can help people shed nihilistic and depressive worldviews. In fact, this does happen for many, with feelings of existential joy and a yes-saying to the world suffusing the psychedelic state – and these feelings of optimism and life affirmation can carry over…
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At the end of John Koenig’s book The Dictionary of Obscure Sorrows, which I reviewed here, the author invites readers to invent new words (or neologisms) as he has done throughout the book: …that’s what words are good for – they give meaning to everything they touch. We have the power to use them as we…
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