Hamptonese: The Asemic Writing of James Hampton

James Hampton (1909–1964) was an American outsider artist. He worked as a janitor, and in his spare time, in secrecy, he built a large assemblage of religious art, made from scavenged materials: cardboard, plastic, glue, pins, tape, old furniture, jelly jars, aluminum and gold foil, shards of mirror, desk blotters held together with tacks, and…

View Post

Asemic Writing in Shaun Tan’s Graphic Novel ‘The Arrival’

The Arrival (2006) by Shaun Tan is a wordless graphic novel (which can be read here) that tells the story of an immigrant’s life in an imaginary world. It consists of small, medium, and large panels – as well as pages of full artwork – depicting a world that sometimes resembles our own but which…

View Post

Endless Variation: Asemic Glyphs and the Intimation of Infinity

The uniqueness of asemic writing is its ability to give specific impressions – to transmit meanings, concepts, and abstract notions through word-like characters. Semantically meaningless in essence but suggestive of meaning through its similarity to an actual writing system, these characters become open to a diversity of interpretations and imaginings. And as an art form,…

View Post

An Interview With Tim Gaze, a Pioneer of Asemic Writing

​​Tim Gaze is an Australian artist who currently resides in the Adelaide Hills. Since the late 90s, he has been an active poet, writer, publisher, and performer. He is also notable as an artist specialising in asemic writing (expressive mark-making that has the appearance of a language).  In 1997, Gaze, along with fellow artist Jim…

View Post

Asemic Writing and the Desire for the Esoteric

Asemic writing is, by definition, meaningless. It is wordless writing. But what attracts artists and viewers alike to the art form is the way that certain marks can appear meaningful. The scrawls and strokes can be so reminiscent of a natural language or system of glyphs that they look as if they could be read…

View Post