Explaining the Aesthetic Dimension of Nature

It may seem intuitive, in evolutionary terms, why we would find natural settings attractive and appealing. The biologist Edward O. Wilson argued that humans possess a trait called biophilia (fondness for nature, or an innate tendency to seek connections and affiliations with nature and other forms of life), which he argued makes sense evolutionarily. It…

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Experiencing the Sublime Through Travel

The sublime is a concept in aesthetics that stands for the quality of greatness that leads to experiencing positive and negative emotions (e.g. fear and wonder) at the same time. This paradoxical emotion is often experienced in natural surroundings, during confrontations with natural phenomena that overwhelm oneself due to their size or power. This is…

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Rational Explanations of Ecstatic Experiences Can Still Be Awe-Inspiring

I have previously written on the topic of naturalising mystical states (see here, here, and here), arguing that the phenomenological character of these experiences can fit into a naturalistic worldview, that is, the view that only the natural world exists, or the view which rejects the existence of supernatural realms, forces, laws, principles, and entities.…

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Psychedelics and the Experience of the Sublime

The connection between psychedelics and philosophy isn’t made too often, despite the fact that there are myriad ways in which the psychedelic experience can relate to, challenge, contextualise, and add weight to various philosophical ideas and theories. There is, however, a definite history to the philosophy of psychedelics, with writers such as William James and…

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